Standoff

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  • TV-14
  • 2006
  • 1 Season
  • 7.5  (2,179)

Standoff is a unique television series that premiered on FOX in 2006, blending elements of drama, action, and dark humor within the high-stakes world of hostage negotiation. The show centers around a group of skilled negotiators who work for the FBI and are tasked with resolving intense and potentially deadly situations involving hostages.

At the heart of Standoff is the character of Matt Flannery, portrayed by Ron Livingston, who exemplifies the complicated nature of a seasoned negotiator. Flannery is intuitive, empathetic, and resourceful, qualities that enable him to talk down even the most desperate of aggressors. He often finds himself facing moral dilemmas that test not only his negotiation skills but also his commitment to saving lives.

Flannery’s partner in both work and romance is the fearless and tenacious negotiator, Emily Lehman, played by Gina Torres. Their relationship is a significant focal point of the series, as it explores the complexities of love interwoven with the pressures of their high-octane profession. Torres brings a captivating presence to her role, showcasing Emily’s strength and emotional depth as she balances her tough exterior with vulnerability. This duality adds layers to their relationship, creating tension and moments of poignant connection amidst the chaos.

The show is set against the backdrop of various hostage situations—each episode varying in complexity and emotional cost. With various characters caught in the web of high-stakes negotiations, the series reflects on the psychological toll that such scenarios can take on both the hostages and the negotiators themselves. The high-pressure atmosphere creates a palpable sense of urgency, and the character dynamics are explored in this charged environment.

Supporting Livingston and Torres are a talented ensemble cast that includes Jose Pablo Cantillo, Raquel Alessi, Michael Cudlitz, and Rosemarie DeWitt, who each bring their own unique flair to the series. Cantillo plays an up-and-coming negotiator whose youthful energy and desire to prove himself often leads to both comedic and intense situations. Alessi portrays a tech-savvy member of the team, leveraging her skills to assist in the high-tension negotiations. Meanwhile, Cudlitz serves as a gruff yet loyal team member, grounding the group with his experience and insight. DeWitt shines as a character who adds emotional complexity, both within the team dynamics and in her interactions with Flannery and Emily.

The writing of Standoff strikes a balance between tense dramatic moments and lighter, occasionally humorous interludes, making the show engaging and multidimensional. The scripts cleverly delve into the intricacies of negotiation tactics, human psychology, and the ethical dilemmas faced by those involved in high-pressure situations. Each episode presents not only a new case but also a new opportunity for character development, allowing viewers to connect more deeply with the personalities behind the badges.

The series expertly weaves in the personal lives of the characters, exploring how their work as negotiators impacts their relationships and mental health. The toll of their profession weighs heavily on them, creating moments of introspection and vulnerability. This humanizing aspect of the characters allows the audience to understand their motivations, making their victories and failures all the more poignant.

Visually, Standoff employs a cinematic style that enhances the emotional impact of the storytelling. The direction effectively captures the tension of negotiation scenarios, with expertly crafted scenes that keep the audience on the edge of their seats. The use of close-ups and dynamic camera work immerses viewers in the characters’ experiences, making them feel the adrenaline and pressure of the situations at hand.

Throughout its run, Standoff received praise for its strong performances, intelligent writing, and unique premise. The show’s ability to blend action with thoughtful character exploration created a tight-knit narrative that resonated with audiences. Although it presented high-stakes scenarios, the underlying themes of humanity, connection, and moral ambiguity gave it depth and substance.

In conclusion, Standoff is a dramatic, character-driven series that excels in portraying the complexities of hostage negotiation. With a talented cast led by Ron Livingston and Gina Torres, the show explores the emotional landscapes of its characters against the urgent backdrop of life-and-death negotiations. Each episode represents a blend of suspense, intrigue, and personal struggles, making it a compelling watch for lovers of drama and action alike. The series leaves viewers not only entertained but also contemplative about the human condition and the moral choices we face in crisis situations.

Standoff
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Seasons
Severance
18. Severance
July 20, 2007
The CNU resolves a hostage situation when a corporate executive takes 16 hostages in the company's boardroom. A second crisis involves a domestic situation that results in Matt and Emily questioning a decision they had made during the standoff.
The Kids in the Hall
17. The Kids in the Hall
July 13, 2007
Series finale: Having broken up as a couple, Matt and Emily decide they want to break up as a team as well. So Cheryl sends Matt out without Emily to defuse a crisis involving a distraught filmmaker, who makes racy videos, and his equally distraught wife, who runs the business. But one hostage situation soon becomes two, and Cheryl must call in reinforcements.
Ex-Factor
16. Ex-Factor
July 6, 2007
A hostage crisis at a juvenile-detention center is sparked by a sensitive, intelligent teen who demands that the facility remain open. But his plans to keep the inmates from being transferred to a more crowded facility are thwarted by a thuggish teen. Meanwhile, Matt and Emily must fill out partner-evaluation forms. One question asks whether there's any situation the two can't resolve, and Matt answers no, but he does so before this situation unfolds.
Lie to Me
15. Lie to Me
June 29, 2007
Cheryl becomes personally involved in the case after the key witness in a federal money-laundering case and his wife are kidnapped and held hostage.
Road Trip
14. Road Trip
June 22, 2007
When a young boy is abducted from the Santa Monica Pier, Emily is thrown into the middle of the crisis. The situation becomes volatile when her personal life is brought into the public eye and she must confront her demons in order to save the child.
Backfire
13. Backfire
June 15, 2007
When a fanatic polygamous cult leader abducts one of his daughters, who had tried to escape, Matt and Emily track them and discover a plot for revenge that could lead to the deaths of many other people.
No Strings
12. No Strings
June 8, 2007
Two bank robbers have taken twenty-five hostages on a train, but Emily must handle the negotiations by herself, as Matt has been called away to another hostage crisis. However, when she suspects that the entire stunt is merely a decoy so that the real thieves can get away, things become much more complicated. Meanwhile, Matt must try to convince a psychiatric patient to release two people that he has taken captive.
Borderline
11. Borderline
December 12, 2007
When a U.S. Customs and Border Protection agent insists on letting a container pass through the Port of Los Angeles without inspection, it quickly escalates into a hostage situation when his colleagues question his judgement. Meanwhile, Emily receives a job offer from Quantico and must decide if she wants to take it or not.
Accidental Negotiator
10. Accidental Negotiator
December 5, 2006
The tables are turned on Matt and Emily when a Mexican drug lord escapes during negotiations with Emily. The pair and two DEA agents soon catch the fugitive in an abandoned tavern in Mexico---then are surrounded by his cohorts while out of communication range with headquarters.
Peer Group
9. Peer Group
November 28, 2006
Just moments after she was fired, a worker at a credit union's headquarters takes a call at her desk---from an armed man in a branch office who wants to speak to her boss. But he has just left the office, and a hostage situation ensues. Meanwhile, Emily and Matt are at odds because she left his apartment early in the morning without waking him.
Heroine
8. Heroine
November 21, 2006
In a revenge-of-the-nerds case, Matt and Emily must negotiate with three armed teen geeks who have taken two athletes and a pretty girl hostage and are taunting them---live on a Web site they have set up via real-time video. And when CNU blocks the site, they threaten to kill the cool kids. For Emily, the case is personal: She had been bullied herself as a teen. Matt, on the other hand, had been a bully.
Man of Steele
7. Man of Steele
November 14, 2006
The team rescue Anya Reid from a hostage situation who then appears to develop a crush on Matt. When Anya reveals she may have a stalker, Emily is not so sure and thinks there may be more to Anya than she's letting on.
One Shot Stop
6. One Shot Stop
November 7, 2006
After a surrogate mother scams a desperate husband out $50,000 for her newborn baby, the distraught man takes matters into his own hands. He shoots the social worker who arranged the illegal adoption and then flees, taking the newborn child and the babysitter hostage. The resulting high-speed chase ends at the scam artists home, where, in an attempt to defend his actions, the man calls shock-jock radio personality Avery Steeles show and his plight goes live on the air throughout Los Angeles. Matt and Emily must enlist Steeles help to negotiate the crisis over the airwaves, but this power to the people jock is anything but cooperative.
Life Support
5. Life Support
October 31, 2006
When a mysterious sniper kills a string of random people, CNU is determined to find the snipers hideout. But when they catch a suspect and announce their success, a police captain is shot and they learn that the man in custody is actually copycat. With the real sniper on the loose, negotiations arent enough and Matt and Emily must work with Frank and Duff to catch the killer before he hurts one of them.
Partners in Crime
4. Partners in Crime
September 26, 2006
When a girl's health takes a turn for the worse, a young boy takes hostages in a hospital to force a surgeon to operate on his terminally ill sister. But the renowned doctor is on vacation, and the remaining surgeons refuse to perform such a complicated procedure without his help. With lives on the line, Matt and Emily must appeal to the doctor's past and the young boy's future in order to save the hostages and prevent the boy from doing something he will regret.
Shanghai'd
3. Shanghai'd
September 19, 2006
When a serial bank robber hits a string of banks along the California coast, Matt and Emily are determined to catch the thief. But when a confrontation at the next target bank goes awry and Emily becomes a hostage, Matt has trouble putting his personal feelings aside. The chase is on and after realizing that the suspects are a couple in love, Matt uses his knowledge of mixing business with pleasure to catch the robbers before Frank and the team take them out.
Circling
2. Circling
September 12, 2006
When Air Traffic Control error is blamed for a plane crash killing 180 people, the controller at fault hijacks the control tower in defense of his innocence. The stakes are high as dozens of planes circle above, but when Matt and Emily learn that the hijacker's wife is having an affair, the negotiators realize that the pressures at work aren't the only issues the hijacker is coping with. The situation hits a little too close to home as Matt and Emily get a glimpse of what could happen when personal lives get in the way of careers, and Emily pushes a hesitant Matt to go public with their relationship.
Pilot
1. Pilot
September 5, 2006
Standoff centers on Matt Flannery and Emily Lehman, top-ranked FBI crisis negotiators who are forced to come clean about their secret relationship after it is revealed during a tense hostage standoff that they are sleeping together. Too valuable as a team to be split up, they are now under the watchful eye of their boss and their colleagues. Standoff combines the crackling romantic relationship at its core with intense drama and humor as these negotiators vow not to cross the line and let their personal feelings get in the way of the job. But they learn quickly that, in life and in love, everything is a negotiation.
Description
  • Premiere Date
    September 5, 2006
  • IMDB Rating
    7.5  (2,179)
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