Ep 2. Ding
- TVMA
- July 19, 2015
- 50 min
-
8.4 (1,100)
Ray Donovan season 3 episode 2, titled "Ding," follows the aftermath of last episode's events, where Ray is forced to hire Hector Campos, a volatile boxer, as his client. As the episode begins, Hector's victory party is in full swing, but Ray is nowhere to be found. It is revealed that Ray is busy negotiating an important deal with Paige, the powerful studio executive, to get her to sign Hector to her network. However, when one of Paige's associates is found dead in her hotel room, Ray's mission becomes more complicated.
Meanwhile, Terry, Ray's brother, is struggling with his Parkinson's disease, which is hindering his training of Hector. This leads him to hire a new trainer, an attractive and determined woman named Jess, who seems to have a hidden agenda. However, Terry soon realizes that he is not the only one with secrets, as he discovers that Jess has a connection to Ray's past and may be working for Paige.
Elsewhere, Bunchy, another of Ray's brothers, is struggling to adapt to his newfound wealth after winning the lottery. As he begins spending his money on lavish purchases, including a new house and a fancy car, he also starts to confront his past trauma and seek closure. This leads him to visit his old childhood home, which triggers a painful memory and prompts him to seek out his former abuser.
As the episode progresses, all of the characters' storylines converge in an explosive finale, where Ray must navigate the dangerous world of Hollywood dealing with corrupt executives, vicious gangsters, and his own personal demons. In the end, Ray's loyalty to his clients and his family is tested, as he confronts a shocking revelation that could shake his world to its core.
Overall, "Ding" is a tense and gripping episode that explores the complex themes of loyalty, family, and revenge in Ray Donovan's trademark gritty style. With its intense action, nuanced characters, and surprising twists and turns, this episode is a testament to the show's ability to keep viewers on the edge of their seats.