Brian Sewell's Grand Tour of Italy

Watch Brian Sewell's Grand Tour of Italy

  • 1969
  • 1 Season

Brian Sewell's Grand Tour of Italy is a documentary television series that takes viewers on a journey throughout Italy's rich cultural history, art, and architecture. This show, produced by Acorn Media, features the late British art critic and writer Brian Sewell, who guides viewers through some of the most famous art cities and picturesque landscapes in Italy.

Throughout the series, Sewell delves into the visible signs of Italy's complex history, from the Roman days to the Renaissance period and everything in between. Sewell explores the country's art legacy adding a personal touch with his witty, informative, and unapologetically snobby commentary style.

The program's focus is, in part, Sewell himself, a well-known expert and critic, using a characteristically acerbic wit to lead viewers through the streets of Florence, Rome, and Venice. Sewell's knowledge of art history and the more subtle aspects of Italian civilization adds depth to the series, as he shares cultural insights in a manner that is both engaging and educational.

Divided into four parts or 'acts,' Brian Sewell's Grand Tour of Italy is a travelogue that highlights Italy's art, culture, and history in each episode. In Act One, Sewell explores Florence, the birthplace of the Renaissance, and one of the world's most significant cultural centers. Sewell visits the city's most famous sites, including the Uffizi Gallery, the Accademia Gallery, and Michelangelo's David, explaining their cultural and artistic significance in vivid detail.

In Act Two, Sewell traverses the Eternal City of Rome, revealing its myriad of visual delights, from the Colosseum to the Vatican. Sewell draws on his extensive knowledge to discuss the city's complex social and political history and its status as a cultural epicenter in Italian life. He also visits lesser-known locations, such as Trajan's market and the Roman catacombs. Rome's diverse cuisine, which is an integral part of the city's culture, is also highlighted.

Act Three takes viewers to Venice, a city renowned for its canals, art, and architecture. Sewell focuses on the city's art scene, visiting sites such as La Scuola di San Rocco and the Guggenheim Collection. He also participates in a gondola race through the winding waterways of the city.

Finally, in Act Four, Sewell visits Naples and Sicily, two destinations that are rich in history and art, but often overlooked by tourists. Sewell journeys to Naples' National Archaeological Museum and the Royal Palace, exploring the city's unique blend of Greek, Roman, and Christian influences. In Sicily, he visits the Valley of the Temples, one of the most impressive archaeological sites in the world, and delves into the island's rich artistic heritage.

Brian Sewell's Grand Tour of Italy is a visually stunning television series that provides a unique and informed insight into the art, culture, and history of Italy. Sewell's commentary enhances the series, as he uses his knowledge and confidence to provide context for the sometimes-overwhelming saturation of art and culture. The episodes are accessible to both individuals with a deep passion for Italy and are perfect for those who are new to the country's cultural landscape.

The program's production values are high, and the historical footage used is thoughtfully selected and well-edited, adding to the documentary's charm. The soundtrack for the series is also evocative, transporting viewers to the various landscapes Sewell visits.

In summary, Brian Sewell's Grand Tour of Italy is a must-watch for anyone interested in the country's art, culture, and history. The show is informative, empowering, and humorous in equal measure, thanks to Sewell's unique style. With its engaging format and lively conversations, the show takes viewers on a journey through Italy that is both engaging and educational.

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Seasons
Venice
10. Venice
November 15, 2005
Even a costume at a Carnival ball can't mask Sewell's sweet melancholy at journey's end; neither can the views along the Grand Canal or a visit to a clandestine 18th-century gambling den. But a cup of chocolate, served Italian style, helps.
Vicenza, Possagno, and Padua
9. Vicenza, Possagno, and Padua
November 15, 2005
After examining Palladio's basilica and Olympic Theatre in Vicenza, Sewell tours the Villa Valmarana and its Tiepolo frescoes. In Possagno, Antonio Canova's studio opens its wonders, and the university in Padua affords the opportunity to discuss 18th-century treatments for venereal disease.
Rimini, Ferrara, and Mantua
8. Rimini, Ferrara, and Mantua
November 15, 2005
After exposing the colorful history of Rimini's Tempio Malatestiano and pausing briefly for an antique-car rally, Sewell learns all about olive oil's degrees of virginity and admires Palazzo del Te, unapologeticallly dedicated to pleasures of the flesh.
Paestum, Todi, and Urbino
7. Paestum, Todi, and Urbino
November 15, 2005
Ancient Greek ruins still stand silent watch in Paestum, but banditti no longer lie in ambush in the surrounding countryside. Next, Sewell reminisces among the narrow streets of Todi before traveling to Urbino, which preserves the early Renaissance style like no place else.
Naples and New Pompeii
6. Naples and New Pompeii
November 15, 2005
After a private operatic performance and a visit to the royal sculpture collection, Sewell intrepidly takes to the sea, crosses the harbor, and climbs the slopes of Vesuvius. Nearby, New Pompeii has risen in sharp contrast to the decadence of the old, once-buried city.
Rome
5. Rome
November 15, 2005
How would young 18th-century grandees have viewed St. Peter's, the Forum, Coliseum, and Pantheon? Sewell looks past today's tawdry tourist crowds for answers before venturing among the cool fountains at the Villa d'Este and standing for a portrait by a modern-day successor to Batoni.
San Gimignano, Siena, Radicofani, and Orvieto
4. San Gimignano, Siena, Radicofani, and Orvieto
November 15, 2005
A hillside town gives a glimpse of 18th-century crime and punishment. In Siena, Sewell offers a revisionist take on Pisano's pulpit in the cathedral and muses about government in the Palazzo Pubblico. Then Orvieto's magnificent cathedral reveals the frescoes by Signorelli that inspired Michelangelo.
Florence
3. Florence
November 15, 2005
Like the Grand Tourists 200 years ago, Sewell lingers among the pleasures of Florence, including Brunelleschi's magnificent Duomo, the artisitic treasures in the Pitti Palace, the hospitality of Horace Mann's palace, and Michelangelo's spectacular David--by torchlight.
Cremona, Parma, and Bologna
2. Cremona, Parma, and Bologna
November 15, 2005
After a visit to a carriage museum outside Cremona, delicacies from Parma's shops make a fine picnic outside the Palazzo Farnese. An 18th-century art critic offers clues to how Grand Tourists appreciated paintings by Bolognese masters Carracci, Reni, and Guercino.
Mont Cenis Pass, Turin, and Milan
1. Mont Cenis Pass, Turin, and Milan
November 15, 2005
Experiencing little of the dangers or discomforts of his 18th-century predecessors, Sewell crosses the Alps to explore Turin's architecture, academy, opera house, and royal hunting palace--even indulging in a wild boar hunt. Then he takes in Milan's fashion boutiques.
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