Agatha Christie Hour Season 1 Episode 10

Ep 10. The Manhood of Edward Robinson

  • November 16, 1982

The Agatha Christie Hour is a television anthology series that aired in the early 1980s and adapted various lesser-known short stories by the celebrated author Agatha Christie. Each episode presents a unique mystery or drama that reflects the range and skill of Christie's storytelling outside of her famous detective novels. Season 1, Episode 10, titled The Manhood of Edward Robinson, is the final episode in the series and continues the tradition of showcasing Christie's talent for intricate and intriguing narrative outside of her more famous works.

At the heart of The Manhood of Edward Robinson lies a tale of self-discovery and suspense. We are introduced to Edward Robinson, a mild-mannered, unremarkable young man whose life has been ruled by routine and the subdued expectations of those around him. Edward, similar to many of Christie's protagonists, could be considered the quintessential everyman—someone who, though not particularly remarkable in any sphere of life, unwittingly becomes the centerpiece of an extraordinary situation.

Through a fortunate turn of events, Edward Robinson finds himself the unexpected winner of a substantial sum in a magazine competition. His newfound wealth enables an impulsive act that sets the episode's events into motion—he purchases a sleek, luxury sports car, a sharp departure from his ordinarily cautious and conservative demeanor. The car serves as a symbol, a tangible representation of the excitement and zest for life that Edward has, thus far, been unable to grasp or even recognize. This indulgent purchase signifies an awakening, a challenge to the humdrum trajectory of Edward's existence.

The story truly gains momentum when Edward, brimming with a newfound confluence of excitement and apprehension, decides to take his glamorous sports car on a trip into the countryside. It's a voyage that doubles as both escape and exploration—a chance to foray outside the confines of his predictable life. However, Edward is unprepared for the sequence of events that unfold as his journey takes him into uncharted territories, both geographical and emotional.

The twisting roads bring Edward face-to-face with a cast of enigmatic characters, each with their own secrets and each contributing to the mystery that begins to envelop him. Among these characters is a strikingly beautiful and assertive woman who appears to emanate a sense of adventure and intrigue, everything Edward's life has been lacking. Their meeting seems fated and leads Edward down a path filled with twists and turns that exceed anything he could find on country lanes.

As the plot develops, Edward encounters a situation that could only be sprung from the depths of a Christie narrative: he finds himself amidst a perplexing scenario that appears to cross the lines between accident and design. With heightened elements of mistaken identity, miscommunication, and peril, Edward must navigate the shifting sands of the situation he's found himself in. The unexpected chain of events tests Edward's character, judgment, and, most critically, his manhood—the very trait the episode title alludes to.

As with many of Christie’s tales, The Manhood of Edward Robinson is more than just a simple story of mystery; it is a reflection on human behavior and the consequences of stepping outside of one's ingrained roles. It explores themes of identity, self-perception, and the blurry lines between who we are and who we aspire to be. Throughout the episode, viewers are invited to ponder whether Edward will emerge with his sense of self intact or find that his attempt to embrace a more daring version of himself leads to more than he bargained for.

The episode promises a journey of suspense and psychological depth as it steers through the complexities of Edward's unexpected adventure. True to Christie's form, the narrative weaves layers of character development with a gripping plot, ensuring that viewers remain engaged until the very end. The Manhood of Edward Robinson also encapsulates a charming period atmosphere, typical of Christie's works, which adds a layer of nostalgic appeal. The attention to detail in costume and set design transport viewers to an era that underscores the timeless nature of Christie's storytelling.

In the context of The Agatha Christie Hour, The Manhood of Edward Robinson stands as a fitting conclusion to the series—encapsulating the nuanced, character-driven drama and subdued mystery that defines the lesser-known but no less brilliant corners of Christie’s literary universe. It offers a delightful and engaging viewing experience, punctuated by the vintage charm and intellectual wit that fans of the legendary mystery author have come to relish.

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Description
  • First Aired
    November 16, 1982
  • Language
    English