Episode 'White Collar' Season 3, Episode 1 - 'On Guard' Recap
by Sean Comer
For those coming to the party a little late, here's what you need to know: Neal Caffrey (Matt Borner) is a prolific and successful thief and con man caught by the FBI after a long cat-and-mouse chase.
He breaks out of prison to reunite with his girlfriend Kate, but is apprehended by a team that includes FBI Agent Peter Burke (Tim DeKay.) Caffrey has information that could put another white-collar criminal behind bars, but provides it only after striking a deal with Burke: he helps him catch thieves along with his partner and friend Mozzie (Willie Garson) and a few other "colleagues", he stays out of prison on a work release. He wins Burke's trust, but Burke and in particular Agent
At the end of the second season, Burke suspected Caffrey's involvement in a warehouse fire where a recovered German U-boat was being stored, along with a fortune in Nazi-owned art. The art's missing. Burke isn't convinced Caffrey is back up to his old tricks. The flashback shows that Neal received an anonymous business card at home with contact information, a key and the phrase “You’ll
One "Previously On . . ."-style montage later, we're at the starting line for Season Three . . .)
Neal and Mozzie are hurriedly boarding a small twin-engine cargo plane and hustling to taxi down the runway. The plane is loaded down with crates, presumably filled with a lot of very valuable, very stolen artwork. Meanwhile, Burke is barrelling toward the plane in a dark SUV, determined to make sure Neal and Mozzie never get off the ground . . .
"FOUR DAYS EARLIER" . . .
Neal is tethered to a polygraph machine, with Peter and Jones keeping him company. They ask him question after question, including whether he’s a convicted con man, to which he answers, “Yes.” They ask him to outright lie about something to complete a baseline reading, and Neal smartly but calmly proclaims, “I’ve never told a lie.” Jones tells him that’ll do it.
Neal tells Peter what he knows: he had previously met with his foe (and murderer of his girlfriend, Kate) Vincent Adler shortly before his death, the warehouse went up in flames with the art gone and Neal has no idea who did it. Peter stares daggers at a smug Neal, as Jones announces that the polygraph says he’s telling the truth.
Mozzie awaits Neal at Neal’s apartment. It turns out that Neal really didn’t have any idea what was going on. It was in fact Mozzie who delivered the key to Neal with the message, and Adler who loaded the art onto the truck and got away with it. Warehouse went up in flames as a cover, Neal has plausible deniability and now they have a getaway to plan. The two then drink a toast to their “best and final score.”
Neal and Peter, a short while later, have a street-corner stare-down. Neal doesn’t like that, after so many successful collars, Peter still doesn’t trust him. Peter blows him off, telling him that their working relationship isn’t that big a deal to him.
Later in Peter’s office, Peter wants to know why David Lawrence, a known fugitive who was suspected years earlier to have robbed the Federal Reserve of $60 million that’s still unaccounted-for, has been searching high and low for a man going by a known inactive alias of Neal’s. Neal reveals that they may have partnered on a few jobs previously, and Peter tells Neal that he’s to go undercover as his old alias to lure
Later, Peter’s home and fuming over the charred piece of canvas that he’s dead certain is no 1930s masterpiece, but a portrait of the
Meanwhile, Neal has re-assumed his old alias and met
Talking with Mozzie later, Mozzie lets Neal in on the magician’s trick: those weren’t in fact masterpieces destroyed in the explosion, so when Neal told Peter in the previous season that he’d never destroy art, he wasn’t playing him. Instead, those were in fact Neal’s paintings that Mozzie planted and destroyed. Neal also tells Mozzie that he knows that Peter knows something. That’s why Neal goes to see
When he arrives at Peter’s home, he and Elizabeth adjourn to their kitchen for coffee, where
Later, he and Mozzie confer over a copy of the book that Neal has obtained. Neal is momentarily panic-stricken as he finds a portrait of the
Meanwhile, Neal still has a cover to keep. He and Lawrence meet at a harbor where Neal explains to his former colleague how he’s arranged via an inside man to arrange not only for Lawrence to board a boat with his money, but for the paper trail to lead any suits straight to France – about 4,000 miles from Lawrence, roughly. Meanwhile, Peter’s team is already keeping watch over the whole situation.
Mozzie later calls Neal away from conferring with Peter about the sting operation to tell him that his recon confirms that
While Mozzie scrapes color samples from various works, it occurs to Neal that Jones is tailing him. The two realize this is going to cause problems. They suggest a “Phoebe Cates” to throw attention off while Neal makes the sample swap.
A “Phoebe Cates,” it turns out, is a fun little play. First, Neal ditches Jones in a crowd of look-alikes wearing his same black fedora, black suit and black umbrella. Mozzie infiltrates the gallery dressed as a delivery man and with the help of an undressing woman holding the portly guard’s rapt attention – if you still don’t understand why it’s called a “Phoebe Cates,” go watch “Fast Times at Ridgemont High” and come back here – Neal slips downstairs, re-paints and singes the sample containing the 1930s paints and slips away unnoticed.
Peter later calls Neal at home and compliments him on losing Jones. Neal tells him he thought it might’ve been a suspicious
Lawrence and Neal meet at the Gramercy again, where
One cut later, and the bills are counted and ready for departure, but
Mozzie phones Peter and tells him exactly where to find Neal and Lawrence. We’re returned to where we came in, with Peter’s SUV chasing down the plane and successfully apprehending
Later, Peter waltzes into Neal’s apartment and admires the “new” Chrysler. Neal walks in on him, and offers him the painting, which Peter declines. Peter calls a truce and admits he rushed to judgment, which Neal accepts. He gets a text message, then casually dismisses himself.
Back at Peter’s office, he’s informed that there are two paintings unaccounted for from the U-boat’s shipping manifest. Peter says he’ll sit on the information and wait patiently. He now has reason to believe again that Neal can’t change his stripes. Meanwhile, Neal and Mozzie agree they’ll have to sell one of the paintings to make good a Plan-B escape.