Trump Controversy Pushes 'Black-ish' Creator to Leave ABC
by EG
ABC was reportedly wary of annoying red-state voters with an anti-Trump episode of Black-ish, so they pulled the episode from their schedule. That was a deciding factor in series creator Kenya Barris' decision to leave the network. Read on for details.
When Kenya Barris sat down last fall to write an episode of his ABC comedy Black-ish, titled "Please, Baby, Please," he had a sense it might stir up trouble.
The setup was relatively simple: Dre, the Johnson family patriarch played by Anthony Anderson, was telling his infant son, Devante, a bedtime story that reflected on the events of his first year on the planet. It was, per multiple sources, a mix of political allegory (an animated fairy tale about a character named The Shady King) and actuality (news footage of Donald Trump, the Charlottesville attacks and the NFL kneeling protests). "When you're putting a baby to sleep, you're trying to soothe whatever anxieties they're having," says Barris, speaking for the first time about the controversial episode. "So, this was about me trying to pat the butt of the country and soothe people."
"Please, Baby, Please," which was supposed to air in the back half of the Emmy-nominated series' fourth season, was shot in wide angle, with very little score. Production is said to have upped its usual episode budget of $3 million or so, spending handsomely on rights and clearances for such things as the Sam Cooke ballad "A Change Is Gonna Come," which Barris personally met with Cooke's goddaughter to secure. He enlisted a high-profile illustrator, too, and hired his hero Spike Lee to do voiceover, since the episode took its title and inspiration from a children's book written by Lee and his wife. Rather than focus on the entire Johnson clan, as Black-ish typically does, the episode centered primarily on Dre and his interpretation of real-world events presented to his son as a form of catharsis. As a father of six, Barris has had plenty of experience calming children at bedtime.
"We approached it with the network and the studio as, 'This is different,'" says the 44-year-old showrunner. "We certainly knew people would talk about it."
Get the rest of the story at The Hollywood Reporter.
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