'Beetlejuice' Stays on Top

The holdover sequel Beetlejuice Beetlejuice and the horror remake Speak No Evil topped the box-office race this weekend, and Marvel's Deadpool & Wolverine continued to do decent business almost two months after its initial release. In some red-state markets, a right-wing fake documentary from a conservative podcaster did good business to round out the top five. Read on for details.


Via The Hollywood Reporter.

Tim Burton and Warner Bros.’ Beetlejuice Beetlejuice lost none of its ghostly mojo in its second weekend and easily stayed atop the box office chart with an estimated $51.6 million as it hurtles toward the $200 million mark domestically.

The pic, playing in 4,575 theaters domestically, fell just 54 percent for a 10-day domestic total of $188 million. Overseas, the sequel took in another $28.7 million from 76 markets for a lukewarm foreign tally of $76.3 million and $264.3 million globally.

Blumhouse and Universal’s new horror-thriller Speak No Evil was also good news for the early fall box office. The pic opened in second place with an estimated $11.5 million from 3,375 locations against a budget of just $15 million before marketing. The movie follows an American family as they spend the weekend at a plush British estate only to discover that their host, played by James McAvoy, has a rather sinister side. McAvoy is earning strong marks for his performance.

Marvel and Disney’s Deadpool & Wolverine held at No. 3 all the way in its eighth weekend, with an estimated $5.2 million for a domestic cume of $621.5 million and $1.305 billion worldwide, the seventh-biggest showing of any MCU title.

In the biggest surprise of the weekend, conservative provocateur Matt Walsh‘s Am I Racist? opened in fourth place with an estimated $4.8 million from 1,517 locations, the top debut of 2024 so far for a doc and the third biggest since Disney’s nature film Bears a decade ago. Am I Racist? is doing big business in conservative markets in the South, Midwest and Mountain States.

Get the rest of the story at The Hollywood Reporter.