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Xala is a 1975 Senegalese film directed by Ousmane Sembène. The movie is based on Sembène's own novel by the same name, which delves into themes of post-colonialism, corruption, and gender roles in post-independence Africa. The film follows the story of El Hadji Abdou Kader Beye (played by Thierno Leye), a wealthy businessman and polygamist who has recently acquired the titular Xala, a curse of impotence. This affliction is considered a symbol of colonial and post-colonial emasculation, as the inability to perform sexually is seen as an attack on masculinity and power.

As El Hadji struggles to navigate both his impotence and his loss of authority in a changing society, he is also faced with an unyielding demand for bribes from his corrupt government officials. The intersections of power, masculinity, and corruption are further complicated by the presence of El Hadji's three wives, each with their own desires and goals.

Myriam Niang stars as El Hadji's first wife, and her role in the film is indicative of the gender dynamics at play. Her character is strong-willed and outspoken, unafraid to question her husband's decisions and beliefs. In contrast, Seune Samb plays El Hadji's second wife, who is much more subservient and docile.

Throughout the film, there are several moments where the patriarchy and its inherent sexism are examined. For example, at one point, El Hadji is seen beating his first wife for daring to express her opinion. However, Xala is not a simplistic presentation of the evils of the patriarchy; rather, it is a complex exploration of the ways in which traditional power structures are challenged and undermined by changing times and pressures.

One of the key elements of Xala is the role of new, young people in society, especially those who have been educated abroad. These characters are portrayed as drivers of change and progress, challenging the status quo and pushing for new ways of thinking about power, gender, and tradition.

The film is set in Dakar, Senegal, and provides a glimpse into the politics and culture of the country in the decade following its independence from France. Much of the film takes place in the home of El Hadji, which serves as a microcosm of the wider society. The house is a symbol of his wealth, but it is also a reminder of the suffering that is taking place outside its walls.

Xala is a complex and challenging film that demands careful attention and interpretation. It is a powerful and thought-provoking examination of the social, cultural, and political forces that shape post-colonial African societies. Although it was made almost 50 years ago, the themes and ideas presented in the film are still relevant to contemporary discussions of power, gender, and corruption.

Xala is a 1975 comedy with a runtime of 2 hours and 3 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.7 and a MetaScore of 80.