Watch Wrestling Isn't Wrestling

Wrestling Isn't Wrestling is a comedic documentary from 2015, directed and written by Max Landis. The film explores the world of professional wrestling through the lens of Landis’ personal experiences as a fan. The movie is hosted by Adam Savage of Mythbusters fame, with appearances by Jamie Hyneman (another Mythbuster) and Chloe Dykstra (a well-known cosplayer and actress).

The movie starts with a disclaimer from Landis, stating that the documentary is not meant to be taken seriously. Instead, it aims to showcase why he loves wrestling and how it has influenced his life. The film follows the career of wrestler Triple H (real name: Paul Levesque) and focuses on the evolution of his character over the years. Triple H is portrayed by a cast of actors, including Chloe Dykstra, illustrating the various stages of his career.

Throughout the movie, Landis narrates and comments on the matches, storylines, and characters that make up the world of professional wrestling. He explains how the wrestlers are storytellers, and how they use their bodies to convey their emotions, whether it be anger, fear, or triumph. Landis breaks down the different types of wrestling matches, such as ladder matches, cage matches, and Royal Rumble matches, and explains how they work and what makes them exciting for fans.

One of the central themes of the movie is the concept of "kayfabe," which refers to the idea of maintaining the illusion that wrestling matches are real competitions. Landis explains how kayfabe has evolved over the years and how it has been gradually eroded as wrestling became more mainstream. He argues that kayfabe is an essential element of wrestling’s appeal, and that fans enjoy being "in on the joke" rather than having the illusion shattered.

While the movie is primarily a celebration of wrestling, Landis is not blind to the flaws of the industry. He acknowledges that wrestling is a violent and dangerous sport, and that wrestlers often suffer serious injuries as a result of their performances. Landis also touches on the more controversial aspects of wrestling, such as the use of steroids, the exploitation of female wrestlers, and the occasional instances of racism and homophobia.

However, the movie is mostly a love letter to wrestling, and Landis makes a convincing case for its cultural significance. He argues that wrestling is a form of performance art, and that it has inspired countless artists, writers, and filmmakers over the years. He also insists that wrestling has a unique ability to bring people together, and that it fosters a sense of community among fans.

Wrestling Isn't Wrestling is a fast-paced, entertaining movie that does an excellent job of introducing newcomers to the world of professional wrestling. However, it’s not just for fans of the sport. Even if you’re not into wrestling, the movie’s irreverent humor, clever editing, and unique perspective make it a fun watch. Whether you’re a lifelong fan or a skeptical outsider, Wrestling Isn't Wrestling is worth a watch.