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Tony Takitani is a 2004 Japanese drama film directed by Jun Ichikawa, based on a short story of the same name by Haruki Murakami. The film stars Issei Ogata as Tony Takitani, a reclusive technical illustrator who leads a lonely life until he falls in love with Eiko, played by Rie Miyazawa, a woman who shares his love of fashion and expense for designer clothes.

Tony's father, who was a jazz musician, died when he was young, and his mother, who was a dressmaker, abandoned him when he was a teenager. As a result, Tony has grown up feeling detached from the world around him, finding solace in his work and his solitary pursuits. But when he meets Eiko, he begins to see a different possibility for his life.

Eiko is a beautiful and graceful woman who works as a freelance editor. She is as enamored with high fashion and luxury as Tony is with precision and detail. They see in each other a kindred spirit and quickly fall in love. They begin to build a life together that revolves around their shared love of fashion, but this love is also what threatens to tear them apart.

Eiko's love of shopping and designer clothes proves to be an addiction, and she becomes more and more consumed by it. Her spending spirals out of control until Tony is forced to confront her about it. Their relationship becomes strained as Eiko's obsession with fashion escalates, and Tony is unable to understand or relate to her passion.

As the film progresses, Eiko's health deteriorates, and Tony is forced to confront the reality of his own isolation. We see him struggle to come to terms with his own emotional limitations and his desire for a deeper connection with Eiko. He is unable to save her from her addiction, and in the end, he must face the consequences of his own emotional detachment.

The film is a haunting and elegant meditation on the nature of love, loss, and isolation. Ichikawa's direction is understated and restrained, allowing the story's quiet power to speak for itself. The cinematography is stunning, with the film's muted colors and delicate compositions conveying a sense of stillness and melancholy.

Throughout the film, we see Tony surrounded by the objects he's drawn – intricate technical diagrams that are devoid of emotion or humanity. The contrast between these images and Tony's yearning for connection is both poignant and devastating. We see how his profession is a manifestation of his own emotional disconnection, and how his obsession with precision and accuracy is a way to avoid confronting the messiness of human relationships.

In many ways, Tony Takitani is a story about the costs of emotional vulnerability. We see how our own defenses can become our prisons, and how the things we do to protect ourselves can ultimately lead to our own isolation. The film is a beautiful and heartbreaking reminder of the importance of connection and the fragility of human relationships.

Overall, Tony Takitani is a stunningly beautiful film that resonates long after the final credits have rolled. The performances by Issei Ogata and Rie Miyazawa are nuanced and heartfelt, and the film's themes of love, loss, and loneliness are explored with sensitivity and grace. It's a film that speaks to the human condition in a way that is both devastating and deeply moving.

Tony Takitani is a 2004 drama with a runtime of 1 hour and 15 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 7.2 and a MetaScore of 80.