Watch The Last Porno Flick a.k.a Those Mad, Mad Moviemakers

The Last Porno Flick, also known as Those Mad, Mad Moviemakers, is a 1970s comedy film that follows the misadventures of a group of aspiring filmmakers as they attempt to produce a low-budget pornographic movie. The film opens with the charismatic and sleazy director Harry Schecter (played by Frank Calcanini) pitching his latest film idea to a group of potential investors. When he fails to secure funding, Harry turns to his long-time friend and producer, co-worker, Phil (Michael Pataki), to help him finance the project. Phil agrees to invest in the film, but only under the condition that they can make it cheaply and quickly.

Harry and Phil then set out to cast their film and recruit a group of amateur actors, including the naive and innocent Marcy (Jo Anne Meredith), the ditzy and flirtatious Jennifer (Robyn Hilton), and the reluctant but desperate Alex (Mike Kellin). The production is riddled with setbacks, from equipment malfunctions to on-set accidents, and the crew is stretched thin trying to make the film with minimal resources.

As they struggle to finish the movie, the characters face numerous obstacles and challenges, including censorship regulations, protests by moralists, and the wrath of a local gangster who is trying to muscle Phil out of the porn business. Despite these setbacks, the team perseveres, using their resourcefulness and creativity to overcome the hurdles and bring their film to completion.

The Last Porno Flick is a raunchy and irreverent comedy that plays on the stereotypes and cliches of the pornography industry. The characters are colorful and exaggerated, each with their own quirks and motivations, and the dialogue is snappy and full of innuendo. The film is also notable for its portrayal of the adult film industry during the 1970s, with its seedier aspects and shady underbelly on full display.

Overall, The Last Porno Flick is a fun and entertaining romp that will appeal to fans of low-budget comedy films and exploitation cinema. Despite its subject matter, the film is surprisingly lighthearted and good-natured, with a sense of humor that is both crude and clever. It may not be for everyone, but for those who enjoy this type of genre fare, it is a worthy addition to the canon of '70s exploitation cinema.