Watch Running Fence

In 1976, artists Christo and Jeanne-Claude embarked on a groundbreaking project known as Running Fence. Their ambitious plan was to create a 24.5-mile-long fence stretching across the hills of Northern California, dividing private ranchland from public areas. The fence would be made of white nylon fabric and steel poles, and would stand 18 feet tall.

Running Fence was a monumental undertaking, and the artists faced numerous challenges along the way. They had to navigate the political landscape of the local communities and work closely with government officials to secure permits and funding. They also had to contend with environmental concerns, and ensure that the fence did not disrupt the natural habitats of local wildlife.

Despite these obstacles, Christo and Jeanne-Claude remained committed to their vision. They worked tirelessly, along with a team of engineers, builders, and volunteers, to construct the fence piece by piece. The process was documented by filmmaker Albert Maysles, who captured stunning aerial footage of the fence snaking across the countryside.

As the fence took shape, it became a source of controversy and fascination for the surrounding communities. Some saw it as a beautiful work of art that blended seamlessly with the landscape, while others viewed it as an eyesore and an intrusion on their property rights. Christo and Jeanne-Claude welcomed all opinions, noting that their goal was to create a dialogue about the nature of art, public spaces, and community identity.

In September 1976, the Running Fence was finally completed. For two weeks, it stood as a majestic, shimmering presence in the rolling hills, attracting thousands of visitors from across the country. People came to walk along the fence, take photos, and marvel at the spectacle. The fence became a symbol of human ingenuity, ambition, and creativity.

As the days passed, however, the Running Fence began to show signs of wear and tear. The fabric rippled in the wind, and the poles began to tilt under the pressure. Soon, it was clear that the fence could not endure much longer. In December 1976, Christo and Jeanne-Claude made the decision to disassemble the fence, sending a clear message that art need not be permanent to be meaningful.

The film Running Fence captures the sheer audacity and beauty of this remarkable project. It offers a fascinating glimpse into the artistic process, and the complex issues that arise when art meets commerce, politics, and public opinion. Through Maysles' lens, we see the Running Fence as a work of art that transcends boundaries and challenges assumptions, leaving an indelible mark on the landscape, and on the hearts and minds of those who experienced it.