Watch Red Zone Cuba

Red Zone Cuba is a low-budget 1966 film that tells the story of three convicts who escape from a chain gang and set off on a series of adventures that take them to Cuba and eventually into the middle of the Bay of Pigs invasion. The film, directed by and starring Coleman Francis, is known for its amateurish production values and its bizarre dialogue. The plot follows the three convicts as they steal a plane in Texas and make their way to Cuba, hoping to become mercenaries and fight alongside the CIA during the Bay of Pigs invasion. Along the way, they encounter various odd characters, including a crazed scientist, a scheming nightclub owner, and a group of rebels fighting against the Cuban government.

The main characters in the film are Coley, played by Coleman Francis, and his two accomplices, Jim and Burt, played by Anthony Cardoza and Harold Saunders. The three men are portrayed as ruthless and violent, willing to do whatever it takes to get what they want. They are also deeply flawed, with each character struggling with his own demons and personal issues.

The film is notable for its poorly written dialogue, which is often nonsensical and difficult to follow. Many of the scenes feature long monologues delivered by the characters that seem to have little relation to the plot. The film's stilted dialogue and wooden acting have made it a cult classic among fans of bad movies.

Despite its low production values, Red Zone Cuba does offer a glimpse into America's obsession with the Cold War and the political turmoil of the 1960s. The film's focus on the Bay of Pigs invasion and the Cuban government's attempts to suppress dissenting voices reflects the fears and concerns of many Americans during this time period.

Overall, Red Zone Cuba is a strange and poorly made film that is unlikely to appeal to anyone looking for a well-crafted story or compelling characters. However, for fans of cult cinema and B-movies, it is an intriguing artifact of a particular moment in American history, and a testament to the power of low-budget filmmaking.