Watch Nostalgia [Subtitled]

Nostalgia [Subtitled] is a 1983 film directed by Andrei Tarkovsky and starring Oleg Yankovskiy, Erland Josephson, and Domiziana Giordano. The film tells the story of a Russian poet, Andrei Gorchakov (Yankovskiy), who travels to Italy to research the life of an 18th-century Russian composer, Pavel Sosnovsky. Gorchakov begins his journey by visiting a famous hot spring in Tuscany, where he meets a local man named Domenico (Josephson), who is in charge of taking care of the hot spring. Domenico is a strange and enigmatic man, and the two strike up an unlikely friendship. Domenico tells Gorchakov about his life and his deep attachment to the ruins of an ancient Roman spa located nearby.

As Gorchakov continues his travels in Italy, he meets a young woman named Eugenia (Giordano), who is trying to rescue her aging father from a nursing home. Eugenia is also in search of her own past, and the three characters begin to bond over their shared sense of nostalgia.

Throughout the film, Tarkovsky explores the themes of memory, cultural identity, and the power of art to transcend time and space. The film is a meditation on the complexities of human emotion and the ways in which we are shaped by our past experiences.

One of the most striking aspects of Nostalgia [Subtitled] is Tarkovsky's use of hallucinatory imagery and dreamlike sequences. The film is filled with haunting images, including a sequence in which a man walks across a pool of water while carrying a candle, and another in which a woman dances in a pool of flames.

The performances in the film are also noteworthy. Yankovskiy gives a powerful performance as Gorchakov, a man who is deeply haunted by his past and struggling to find meaning in his present. Josephson is equally captivating as Domenico, who is alternately charming and unsettling.

Overall, Nostalgia [Subtitled] is a thought-provoking and deeply poetic film that rewards viewers who are willing to engage with its themes and imagery. It is a testament to Tarkovsky's skill as a filmmaker that the film remains as powerful and resonant today as it was when it was first released nearly 40 years ago.