Watch Innocence Unprotected

Innocence Unprotected is a 1968 documentary film directed by Dušan Makavejev. The film tells the story of the first Serbian motion picture from 1942, also titled "Innocence Unprotected," which was directed by Aleksandar Saša Petrović. The documentary follows the making of the original film which had a playfully innocent and comedic approach, although it was made during a time of great political and social turmoil in Serbia under Nazi occupation.

Dragoljub Aleksic, the lead actor in the original film, is interviewed throughout the documentary, and his story is intertwined with the footage from the original film. It is revealed that Aleksic was a struggling stuntman and actor who was given a chance to play the leading role in the film when Petrović saw him performing stunts at a circus. Aleksic's portrayal of the naive, lovesick protagonist won over audiences and made him a local star. However, as the Nazis tightened their grip on Serbia, Aleksic was arrested and sentenced to death for his role in the film, which the Nazis saw as subversive.

The documentary provides a fascinating look at the making of "Innocence Unprotected." Petrović was a young filmmaker who was interested in experimenting with the possibilities of film. He incorporated elements of theater, dance, animation, and music into the film, making it a unique cinematic experience. The documentary showcases a variety of scenes from the film, including a memorable dance sequence set to the tune of the traditional Serbian song "Mesečina," as well as an animated scene featuring Aleksic's character flying through the air.

In addition to the making of the film, the documentary also delves into the social and political context in which it was made. The Nazi occupation of Serbia made it difficult for artists to work freely, and filmmakers had to navigate strict censorship laws. Despite this, Petrović managed to slip subtle messages of resistance into his film, such as a scene in which Aleksic's character refuses to salute a Nazi officer.

Throughout the documentary, Aleksic provides candid commentary on his experience making the film and his subsequent arrest and imprisonment. He speaks matter-of-factly about the injustices he faced and the grim reality of life under Nazi rule. Despite the heavy subject matter, the documentary retains a playful spirit, incorporating elements of humor and whimsy.

The film is also notable for its use of experimental film techniques, such as incorporating old footage from the original film and layering it with new footage. This creates a surreal effect, as if the viewer is stepping into a time capsule and experiencing the making of the film firsthand.

Overall, Innocence Unprotected is a fascinating and innovative documentary that sheds light on a unique piece of Serbian cinema history. It is a tribute to the power of film to capture moments in time and to resist oppression, even in the darkest of times. The film brilliantly showcases the talents of Aleksic and Petrović, and serves as a reminder of the importance of artistic expression in times of crisis.