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Crossfire is a 1947 film-noir directed by Edward Dmytryk, starring Robert Young, Robert Mitchum, and Robert Ryan. The movie is based on the Richard Brooks novel The Brass Ring, which deals with the issue of anti-Semitism in post-World War II America. The story follows a group of soldiers, who have just finished serving in the army, as they navigate their way through civilian life in Washington, D.C. One night, the group goes out drinking and ends up at the apartment of a man named Samuels (Sam Levene). While they are there, Samuels is brutally murdered. The film then follows the investigation into the murder, which reveals deep-seated prejudices and hatred.

The film is notable for its treatment of the issue of anti-Semitism. At a time when such issues were rarely addressed in Hollywood films, Crossfire tackled the topic head-on. The film's message was clear: hatred and prejudice were not just issues for marginalized groups, but instead affected society as a whole.

The casting of Robert Young as Captain Finlay, the police officer investigating the murder, was a significant departure from his typical role as a likable and trustworthy character. In Crossfire, Young played a much darker and more complicated character, struggling with his own biases and prejudices. His performance was powerful, and he brought depth and nuance to the role.

Robert Ryan's portrayal of Montgomery, a disturbed and bigoted soldier, is one of the film's standout performances. Ryan brought a dark intensity to the role, making Montgomery both sympathetic and terrifying. He captures the character's deep-seated anger and resentment, which stem from his own insecurities and fears. Ryan's performance is heart-wrenching and haunting, leaving a lasting impression on the viewer.

Robert Mitchum's character Keeley, a tough and cynical soldier, serves as a foil to Montgomery. While the two men share many similarities, Keeley ultimately comes to see the fallacy of hate and the dangers of prejudice. Mitchum's performance is understated, allowing his character's transformation to unfold naturally.

The film's cinematography is striking, with shadowy and moody black-and-white images that capture the sense of foreboding and unease that permeates the film. The camera work is fluid, with long tracking shots and sweeping pans that draw the viewer into the story.

The film's score, composed by Roy Webb, is moody and atmospheric, adding to the tension and sense of foreboding. The music is used sparingly, only when necessary, and it never overwhelms the drama.

Overall, Crossfire is a powerful and thought-provoking film that remains relevant today. Its handling of the issue of anti-Semitism was groundbreaking, and its message of tolerance, understanding, and compassion is as important now as it was in 1947. The film's exceptional performances, striking cinematography, and moody score make it a must-see for fans of film noir and social drama.

Crossfire is a 1947 crime movie with a runtime of 1 hour and 26 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 7.3.