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Bishonen is a 1998 Hong Kong movie written and directed by Yonfan that tackles the controversial subject of homosexuality. The title, which literally means "beautiful boys," reflects the film's central theme of the beauty of androgynous males. The movie is set in Hong Kong during the period leading up to the city's handover to the People's Republic of China. The story follows the life of a young and attractive ex-con named Jukka, played by Daniel Wu. Jukka meets the wealthy and elegant detective Sam, portrayed by Stephen Fung, during a police investigation. Despite their different backgrounds and personalities, they develop an intense and forbidden romance. Their love story is paralleled by the relationship between two other men, the flamboyant and outgoing Fat and the timid and introverted Kyo, played by Takao Osawa and Ken Chan, respectively.

The four lovers ultimately face several challenges, including social prejudice and discrimination from conservative society, as well as their own personal struggles and insecurities. Jukka, for example, is haunted by his past criminal record and the fear of being rejected by Sam, who embodies a world of wealth and status that Jukka longs for. Sam, on the other hand, has to confront his own internalized homophobia and reconcile his desire for Jukka with his duty as a member of society.

One of the most striking aspects of the movie is Yonfan's cinematic style. The director employs a distinctly dreamlike and surrealistic aesthetic, with lush and vibrant imagery that highlights the beauty of the film's protagonists. Yonfan uses color, light, and shadow to create a visual language that complements the nuance and complexity of the story. The cinematography, by Pung-Leung Kwan, emphasizes the contrast between the characters' public personas and their private desires, as well as the juxtaposition between the traditional and the modern aspects of Hong Kong's culture.

Another noteworthy aspect of Bishonen is the film's use of music. The soundtrack features a mix of classical and contemporary Chinese music, as well as Western pop songs, such as "True Colors" by Cyndi Lauper. The music provides a lyrical and emotional accompaniment to the characters' inner lives and aspirations.

The movie also explores the theme of gender identity and fluidity, particularly through the character of Fat, who challenges traditional masculine ideals and norms through his fashion choices, behavior, and sexual desires. Fat's character defies binaries and resists categorization, highlighting the multiplicity and diversity of human experience.

Overall, Bishonen is a visually stunning and emotionally engaging film that offers a nuanced and compassionate exploration of the complexities of love, identity, and social stigma. The film's portrayal of gay characters was groundbreaking in Hong Kong's cinema industry, and it paved the way for subsequent queer films in the city. Despite the obstacles and challenges faced by the characters, Bishonen ultimately celebrates the beauty and power of love, regardless of gender or sexual orientation.