Watch Beneath the Valley of the Ultra-Vixens

Beneath the Valley of the Ultra-Vixens is a 1979 comedy film directed by Russ Meyer. The film follows several characters living in a small town in Texas, including Lamar (Ken Kerr) – a radio disc jockey who cheats on his wife with numerous women, and a young couple who are trying to save their marriage from falling apart due to their different sexual preferences.

The film stars Kitten Natividad as Lavonia, a woman with enormous breasts who works at the local gas station and is the object of many men's desires. Lavonia is in a relationship with Lamar and is constantly fighting off the advances of other men in the town, including a local preacher. The preacher is played by Stuart Lancaster, who also narrates the film, providing witty commentary throughout.

In addition to Lavonia and Lamar, the film features a cast of bizarre characters, including a woman who has an orgasm every time she sneezes, a man who is obsessed with sex dolls, and an elderly woman who is always walking around naked. The film is populated with many other eccentric characters, all of whom are grappling with their own sexual desires and frustrations.

The film is full of sex, nudity, and violence, and is typical of Meyer's exploitation style. The film features numerous sex scenes, including an extended scene in which Lavonia is pleasured by a machine called the "Orgasmatron". There are also several scenes of violence, including a shootout at the end of the film, which is typical of Meyer's films.

Despite its reputation as a sleazy exploitation film, Beneath the Valley of the Ultra-Vixens is also a satire of small-town America and its sexual taboos. The characters in the film are all grappling with their own desires, and the film is an exploration of the often hilarious and absurd ways that people deal with their sexual frustrations.

The film's script was written by film critic Roger Ebert, who had previously written the script for Meyer's film Beyond the Valley of the Dolls. Ebert's script is full of witty one-liners, clever satire, and an absurdist sense of humor that is typical of Meyer's films.

The film's cinematography is also noteworthy, with Meyer's trademark use of exaggerated camera angles, extreme close-ups, and vibrant colors. The film has a surreal, dreamlike quality that complements the film's offbeat and bizarre characters.

Overall, Beneath the Valley of the Ultra-Vixens is a bizarre and outrageous film that is not for everyone. However, for fans of Meyer's work, the film is a classic example of his unique style and a must-see for anyone interested in the history of exploitation cinema.